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- <text id=94TT0399>
- <title>
- Apr. 11, 1994: Books:It's a Wonderful Life
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Apr. 11, 1994 Risky Business on Wall Street
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THE ARTS & MEDIA, Page 83
- Books
- It's a Wonderful Life
- </hdr>
- <body>
- <p>A biography details Steve Ross's rise from undertaker to mogul
- </p>
- <p>By Neal Gabler
- </p>
- <p> When Steve Ross, near death with cancer, checked into a Los
- Angeles hospital in late 1992, he registered as George Bailey,
- the self-sacrificing common-man hero of Frank Capra's It's a
- Wonderful Life. No doubt that was how the man who masterminded
- the merger of Time Inc. (which owns TIME) and Warner Communications
- wished to be perceived. But the Steve Ross who emerges in Master
- of the Game (Simon & Schuster; 395 pages; $25), New Yorker staff
- writer Connie Bruck's intelligent and fascinating biography,
- is composed equally of George Bailey, Don Corleone, Felix Krull
- and Oskar Schindler--Steven Spielberg has said Ross was a
- model for the portrayal of Schindler in Schindler's List.
- </p>
- <p> Born in Brooklyn in 1927 to a once affluent Jewish family that
- lost everything in the Depression, Ross was a young opportunist
- without an opportunity until he married a woman whose father
- owned a string of funeral parlors. Within a few years, Ross
- expanded the company's businesses to include car rentals, parking
- lots and cleaning services. In 1967 Ross acquired a powerful
- talent agency, and two years later, he bought the faltering
- Warner Bros. studio.
- </p>
- <p> As Bruck amply demonstrates, Ross's charm made him a natural
- for Hollywood, where everyone is a vortex of ego and where success
- belongs not to those who count the beans but to those who extravagantly
- spoil the stars. If Barbra Streisand wanted a painting, why
- not buy it for her? If Dustin Hoffman was vacationing in Europe,
- why not provide him with a yacht? If Steven Spielberg was looking
- for a home in the Hamptons, why not arrange the sale for him?
- "It's about people, really--realizing what they want," Ross
- once told Bruck.
- </p>
- <p> With Ross expertly stroking egos, Warner prospered astonishingly,
- but his highly personal, unbusinesslike style had its darker
- side. Bruck provides the most detailed account yet of an illegal
- cash-skimming operation at the Mob-run Westchester Premier Theater
- in the 1970s. Ross's best friend, Warner executive Jay Emmett,
- pleaded guilty to two counts of fraud arising from the scheme,
- and Bruck leaves the unmistakable impression that Ross himself
- was deeply involved, which Ross steadfastly denied. (Ross cut
- off Emmett summarily when Emmett began cooperating with the
- prosecution.)
- </p>
- <p> The silver-tongued Ross always extricated himself from dicey
- situations and moved on to the next play in a bigger game. The
- 1989 merger of Time Inc. and Warner was his triumph. Personally,
- he reaped $193 million in stock from the deal, and while, technically,
- Time was acquiring Warner, and Ross and Time chief Nick Nicholas
- were to be co-CEOs, Ross quietly maneuvered himself into supremacy
- by dazzling the board with promises of a rich future. He then
- orchestrated a coup in which the directors ousted Nicholas.
- </p>
- <p> The only thing Ross couldn't wheedle to his own advantage was
- cancer. On his deathbed, unable to ply his wiles, he was superseded
- at Time Warner by Gerald Levin. Superseded but not replaced.
- Ross was the inimitable master of the art of seduction. From
- Spielberg to the Time Inc. board, he convinced others that he
- wasn't a venal capitalist--he was really George Bailey.
- </p>
-
- </body>
- </article>
- </text>
-
-